Slim-trunked & grasping life from under
a concrete driveway strewn with miscellany:
food wrappers, receipts tenants tossed
from windows. The tree removal service truck’s
plastic net dragged away the oak. Shadeless
summer boiled my kitchen & the neighbors
commenced deck renovations – summer of hammers.
Summer of big box wood from another tree
from somewhere else. The day they cut the oak
I cried on my couch, helpless under buzz saws.
The little girl I was flicked marbles at the inner curves
of my ribs: this life, too, at others’ mercy.
I cried
even to Roberto, the super, as he paced Winthrop Street
picking chicken bones clean with his teeth,
an open styrofoam tray from El Castillo de Jagua
flat on his palm. A line of pigeons followed
Roberto – yellow rice grains slipped to the pavement
as he walked, he & the birds voracious. He always smelled
faintly of Presidente. Turned glassy eyes to the oaks
that lined the block. Public property no homeowner
could trounce.You know, he mused, once was in love with a woman
from my church. We never made love. I asked her
to marry me. She said, ‘Si tú me das, yo te doy.’
Y eso no es lo que quiero yo. La dejé. Money wins.
He turned & went into the building.
Those neighbors held Trini parties in summer.
Memorial to Labor Day, I resigned myself –
soca displaces sleep Friday to Sunday. O sea –
I resigned myself during the day. At night
I’d toss & curse, naked atop the flat sheet
in a room I was too cheap to air condition.
Machel Montano’s toxic positivity, his
even when we fall out, bredrin we go all out
made of me a mortal enemy. Still I saved my scowl
not for the tree-felling Trinis but for the one
white guy in the building. He tried
to rally me to sign a letter & tape it
on the offenders’ door. I nudged past his left
shoulder to the Q, didn’t utter a word,
underslept & edgy in too-bright sunshine
where the oak once stood.
Ivy Raff is the author of What Remains (Editorial DALYA, forthcoming 2025), a bilingual English/Spanish poetry collection that won the Alberola International Poetry Prize, and Rooted and Reduced to Dust (Finishing Line Press, 2024). Poems and translations appear in Ninth Letter, International Poetry Review, Hayden’s Ferry Review, Electric Literature, and West Trade Review, among numerous others, as well as in the anthologies London Independent Story Prize Anthology (LISP, 2023), and Aesthetica Creative Writing Prize Annual (Aesthetica, 2023). Her Best of the Net-nominated work has garnered support from the Colgate Writers’ Conference, Hudson Valley Writers Center, Atlantic Center for the Arts, the New York Mills Cultural Center, and Under the Volcano. Ivy serves artist communities as MacDowell’s Senior Systems Project Manager, and, as a Jewish artist and a human, advocates for a free Palestine.
