At fifteen we’d stash
bottles of flavored liqueur in
ceiling tiles like lightning bolts
above storm clouds, a kind of
priceless currency blooming
overhead. We scored them
on bikes under night, ducking
into shuttered restaurants atop
scuffed sneakers after days
stretched thin with algebra, study hall
shit talk, football practice, twelve of us
pedaling furiously to the arpeggio
of cricket chirp and clinking duffle
bag brimming with stolen alcohol
abandoned when the chowder house
and diner closed down—the game changer,
we called it, giddy with excitement,
no longer bound by older
siblings or slantwise parents
sliding us sixers. We lived
for fall nights, that invisible
shadow life—Big Al all curly hair
and dumb grin, Dave draped in
baggy gym shorts gripping
a two-liter, Kurt and Sam P
and Seany wrestling on the busted
basement couch, all of us lit up
with energy, waiting for parents
to doze off so we could slip out
screen doors, muffling chuckled
whispers. We’d pour dusty booze
into plastic cups, stumble through
woods to beaches deserted
with dusk, laugh alongside
neighborhood girls who tucked
bottles in backpacks whenever
we turned. We knew—we never
cared—vodka and powdered
lemonade and our stomachs hot
with admission. The girls shot smiles
and faux-scolding; we hid behind
crass jokes. The harvest moon shone
so bright. A day disappeared. But the sand
held us, each grain slipping, catching
our scuffed knuckles, smeared in bruises.
Caleb Jagoda talks in aphorisms until those closest to him demand he stop—but hey, you know what they say: Buy the ticket, take the ride. Caleb is a poet, journalist, and MFA candidate at the University of New Hampshire, where he works as managing editor for Barnstorm Journal. His work has appeared in Blue Earth Review, Polaris Literary Magazine, and Down East Magazine. He lives in Dover, New Hampshire.
